A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 282
... discourse is built up stepwise by using the words successively . The import can be paraphrased by using synonyms and logically equivalent sentences , and it refers to the neutral aspects of our world of observation and thought the ideas ...
... discourse is built up stepwise by using the words successively . The import can be paraphrased by using synonyms and logically equivalent sentences , and it refers to the neutral aspects of our world of observation and thought the ideas ...
Pagina 295
... discourse . In discourse , another function of symbols comes into play , that is present but not very evident in the use of words simply to name things . This further function is the expression of ideas about things . A thing cannot be ...
... discourse . In discourse , another function of symbols comes into play , that is present but not very evident in the use of words simply to name things . This further function is the expression of ideas about things . A thing cannot be ...
Pagina 297
... discourse , and have meanings in their own right , which go to compose the total meaning of the discourse . Language is a symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby ...
... discourse , and have meanings in their own right , which go to compose the total meaning of the discourse . Language is a symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision