Dall'interno del libro
Risultati 1-3 di 9
Pagina 291
This is, I think, the normal advance of human thought and language in that whole
realm of knowledge where discourse is possible at all. But the symbolic
presentation of subjective reality for contemplation is not only tentatively beyond
the ...
This is, I think, the normal advance of human thought and language in that whole
realm of knowledge where discourse is possible at all. But the symbolic
presentation of subjective reality for contemplation is not only tentatively beyond
the ...
Pagina 295
In discourse, another function of symbols comes into play, that is present but not
very evident in the use of words simply to name things. This further function is the
expression of ideas about things. A thing cannot be asserted by a name, only ...
In discourse, another function of symbols comes into play, that is present but not
very evident in the use of words simply to name things. This further function is the
expression of ideas about things. A thing cannot be asserted by a name, only ...
Pagina 297
It is a single organic composition, which means that its elements are not
independent constituents, expressive, in their own right, of various emotional
ingredients, as words are constituents of discourse, and have meanings in their
own right, ...
It is a single organic composition, which means that its elements are not
independent constituents, expressive, in their own right, of various emotional
ingredients, as words are constituents of discourse, and have meanings in their
own right, ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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