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Pagina 244
We have next a distinction of substance and form. If the subtance means ideas,
images, and the like taken alone, and the form means the measured language
taken by itself, this is a possible distinction, but it is a distinction of things not in
the ...
We have next a distinction of substance and form. If the subtance means ideas,
images, and the like taken alone, and the form means the measured language
taken by itself, this is a possible distinction, but it is a distinction of things not in
the ...
Pagina 408
II Talk about intention or intentions may take a number of different forms, but for
our purpose two distinctions may be mentioned.2 First, there is the distinction
between intentional and unintentional action (relevant here is the whole family of
...
II Talk about intention or intentions may take a number of different forms, but for
our purpose two distinctions may be mentioned.2 First, there is the distinction
between intentional and unintentional action (relevant here is the whole family of
...
Pagina 489
The real social distinction of modern technics, however, is that it tends to
eliminate social distinctions. Its immediate goal is effective work. Its means are
standardization: the emphasis of the generic and the typical: in short,
conspicuous ...
The real social distinction of modern technics, however, is that it tends to
eliminate social distinctions. Its immediate goal is effective work. Its means are
standardization: the emphasis of the generic and the typical: in short,
conspicuous ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 4, illustrata |
| Editore | Holt, Rinehart and Winston, 1973 |
| ISBN | 0030017564, 9780030017568 |
| Lunghezza | 568 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |