A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 85
... distinction between real images and unreal images , and since this distinction does not at the first moment exist , these intuitions would in truth not be intuitions either of the real or of the unreal , not perceptions , but pure ...
... distinction between real images and unreal images , and since this distinction does not at the first moment exist , these intuitions would in truth not be intuitions either of the real or of the unreal , not perceptions , but pure ...
Pagina 244
... distinction of substance and form . If the subtance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possi- ble distinction , but it is a distinction of things not in ...
... distinction of substance and form . If the subtance means ideas , images , and the like taken alone , and the form means the measured language taken by itself , this is a possi- ble distinction , but it is a distinction of things not in ...
Pagina 489
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved poten- tially a new collective ...
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved poten- tially a new collective ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision