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Pagina 105
The poet's tasks is this, my friend, to read his dreams and comprehend. The truest
human fancy seems to be revealed to us in dreams: all poems and versification
are but true dreams' interpretation.3 The beautiful illusion4 of the dream worlds, ...
The poet's tasks is this, my friend, to read his dreams and comprehend. The truest
human fancy seems to be revealed to us in dreams: all poems and versification
are but true dreams' interpretation.3 The beautiful illusion4 of the dream worlds, ...
Pagina 136
Just as all neurotic symptoms, like dreams themselves, are capable of hyper-
interpretation, and even require such ... Hence the associations of dream are
personal and can only be understood by reference to the dreamer's personal life.
Just as all neurotic symptoms, like dreams themselves, are capable of hyper-
interpretation, and even require such ... Hence the associations of dream are
personal and can only be understood by reference to the dreamer's personal life.
Pagina 144
as poetry can be equated with dream, poetic technique is similar to dream
technique. The nature of dream technique has been explored by analysts under
the general name of "the dream-work." A dream consists of two layers. Obvious is
the ...
as poetry can be equated with dream, poetic technique is similar to dream
technique. The nature of dream technique has been explored by analysts under
the general name of "the dream-work." A dream consists of two layers. Obvious is
the ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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