A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 134
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
Pagina 178
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
... effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a ...
Pagina 189
... effect is found , it is found by the expression , as well as presentation , of what is in itself pleasing — and when this effect is to be produced artificially , we attain it by the suppression of all expression that is not suggestive ...
... effect is found , it is found by the expression , as well as presentation , of what is in itself pleasing — and when this effect is to be produced artificially , we attain it by the suppression of all expression that is not suggestive ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision