A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 91
... emotion , what is being said about him comes to this . At first , he is conscious of having an emotion , but not con- scious of what this emotion is . All he is conscious of is a perturbation or excitement , which he feels going on ...
... emotion , what is being said about him comes to this . At first , he is conscious of having an emotion , but not con- scious of what this emotion is . All he is conscious of is a perturbation or excitement , which he feels going on ...
Pagina 95
... emotion he expresses , into tragic , comic , and so forth . We are concerned with the second . If the difference between tragedy and comedy is a difference between the emotions they express , it is not a difference that can be present ...
... emotion he expresses , into tragic , comic , and so forth . We are concerned with the second . If the difference between tragedy and comedy is a difference between the emotions they express , it is not a difference that can be present ...
Pagina 228
... emotion . The objects that provoke this emotion we call works of art . All sensitive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensitive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision