A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 158
... emotional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is found or thought to exist a threatening object that ...
... emotional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is found or thought to exist a threatening object that ...
Pagina 338
... Emotional epithets are applied in this way to non- figurative art which reflects no images of a reality other than the work itself . Where a work of art is representational it is a common thing for critics to pronounce whether the emotional ...
... Emotional epithets are applied in this way to non- figurative art which reflects no images of a reality other than the work itself . Where a work of art is representational it is a common thing for critics to pronounce whether the emotional ...
Pagina 346
... emotional qualities and their attribution to aesthetic objects derives from a failure to segregate two categories of emotional qualities . They are too often all lumped together wrongly as " physiognomic properties " -a term introduced ...
... emotional qualities and their attribution to aesthetic objects derives from a failure to segregate two categories of emotional qualities . They are too often all lumped together wrongly as " physiognomic properties " -a term introduced ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision