A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 69
... emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional expression of human ... emotions expressed occurs or not , however , is largely accidental ; for a given work of art may happen never to come ...
... emotions has been widely held since Eugène Véron in 1878 declared that art is " the emotional expression of human ... emotions expressed occurs or not , however , is largely accidental ; for a given work of art may happen never to come ...
Pagina 95
... emotion he expresses , into tragic , comic , and so forth . We are concerned with the second . If the difference between tragedy and comedy is a difference between the emotions they express , it is not a difference that can be present ...
... emotion he expresses , into tragic , comic , and so forth . We are concerned with the second . If the difference between tragedy and comedy is a difference between the emotions they express , it is not a difference that can be present ...
Pagina 98
... emotions that atmosphere generates . But a person who shuts himself up in the limits of a narrow coterie has an experience which includes the emotions of the larger world in which he was born and bred , as well as those of the little ...
... emotions that atmosphere generates . But a person who shuts himself up in the limits of a narrow coterie has an experience which includes the emotions of the larger world in which he was born and bred , as well as those of the little ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision