A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 360
... Empathy itself . Such as I have defined and exemplified it in our Rising Mountain , Empathy is , together with mere Sensation ; probably the chief factor of preference , that is of an alternative of satisfaction and dissatisfaction , in ...
... Empathy itself . Such as I have defined and exemplified it in our Rising Mountain , Empathy is , together with mere Sensation ; probably the chief factor of preference , that is of an alternative of satisfaction and dissatisfaction , in ...
Pagina 363
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
Pagina 367
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision