Dall'interno del libro
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Pagina 353
VERNON LEE: Empathy WILHELM WORRINGER: Abstraction and Empathy
EDWARD BULLOUGH: Psychical Distance KENNETH CLARK: The Naked and
the Nude JOHN HOSPERS: The Esthetic Attitude In Part III we consider the
response ...
VERNON LEE: Empathy WILHELM WORRINGER: Abstraction and Empathy
EDWARD BULLOUGH: Psychical Distance KENNETH CLARK: The Naked and
the Nude JOHN HOSPERS: The Esthetic Attitude In Part III we consider the
response ...
Pagina 367
Now if we repeat the formula which we found as the basis of empathic
experience: "Esthetic enjoyment is objectified ... are at once aware of the polar
opposition between these two forms of esthetic enjoyment [that is, abstraction
and empathy].
Now if we repeat the formula which we found as the basis of empathic
experience: "Esthetic enjoyment is objectified ... are at once aware of the polar
opposition between these two forms of esthetic enjoyment [that is, abstraction
and empathy].
Pagina 551
CHAPTER 10: THE EXPERIENCE OF THE BEHOLDER Empathy and
Abstraction New York: Harcourt Brace Jovanovich, 1920. Lee, Vernon, The
Beautiful, Cambridge: Cambridge, 1913. , and Anstruther-Thompson, C., Beauty
and Ugliness, ...
CHAPTER 10: THE EXPERIENCE OF THE BEHOLDER Empathy and
Abstraction New York: Harcourt Brace Jovanovich, 1920. Lee, Vernon, The
Beautiful, Cambridge: Cambridge, 1913. , and Anstruther-Thompson, C., Beauty
and Ugliness, ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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