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Pagina 230
Why these beautiful things do not move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art .
Why these beautiful things do not move us as works of art move is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art .
Pagina 453
There is pretty general agreement that the esthetic character of a situation consists in the perception of its quality . Whether there should be any further qualification of the field depends on the question of its congruence with the ...
There is pretty general agreement that the esthetic character of a situation consists in the perception of its quality . Whether there should be any further qualification of the field depends on the question of its congruence with the ...
Pagina 458
structure of a mechanistic book on esthetics is from the elements to the wholes ; that of a contextualistic book from the wholes to the details . ) It should not be said that the techniques of design and pattern are less important to ...
structure of a mechanistic book on esthetics is from the elements to the wholes ; that of a contextualistic book from the wholes to the details . ) It should not be said that the techniques of design and pattern are less important to ...
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abstract activity affective appear appreciation artist associations beauty become called character characteristic color common complete concept consciousness created criticism defined definition desire direct Distance distinction distinguished dream elements emotion esthetic example existence experience expression external fact feeling forces give Greek hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines live look material matter means merely mind moral movement nature necessary never object observe organization original painting particular perception person philosophical physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason reference relation seems sense shape similar simply social society sound speak structure style symbol theory things thought tion true truth understand unity universal whole wish