A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 2
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
Pagina 4
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
Pagina 169
... esthetic education ) . It is , however , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehen- sion . According to the ...
... esthetic education ) . It is , however , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehen- sion . According to the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision