A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 228
... emotion . The objects that provoke this emotion we call works of art . All sensitive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensitive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Pagina 229
... esthetic emotion , I recognize it as a work of art . To be continually pointing out those parts , the sum , or ... esthetic experience . All systems of esthetics must be based on personal experience - that is to say , they must be ...
... esthetic emotion , I recognize it as a work of art . To be continually pointing out those parts , the sum , or ... esthetic experience . All systems of esthetics must be based on personal experience - that is to say , they must be ...
Pagina 235
... esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ; men change their institu- tions and their customs as they change their coats ; the intellectual triumphs of one age are the follies of ...
... esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ; men change their institu- tions and their customs as they change their coats ; the intellectual triumphs of one age are the follies of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision