A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 151
... Experience ALFRED NORTH WHITEHEAD : The Experience of Vivid Values Siding ... esthetic and practical activity are quite separate . Instead of emphasizing ... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis ...
... Experience ALFRED NORTH WHITEHEAD : The Experience of Vivid Values Siding ... esthetic and practical activity are quite separate . Instead of emphasizing ... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis ...
Pagina 158
... esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his ... experiences 158 Enhancement of Experience.
... esthetic character even though it is not , dominantly , an esthetic experience . Two men meet ; one is the applicant for a position , while the other has the disposition of the matter in his ... experiences 158 Enhancement of Experience.
Pagina 167
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experi- ence is an integrated complete experience ...
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experi- ence is an integrated complete experience ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision