A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 449
... esthetic theory to discover the esthetic value of conflict . This side of his theory is what a contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques for the esthetic use of ...
... esthetic theory to discover the esthetic value of conflict . This side of his theory is what a contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques for the esthetic use of ...
Pagina 458
... esthetic theory to discover the esthetic value of conflict . This side of his theory is what a contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques for the esthetic use of ...
... esthetic theory to discover the esthetic value of conflict . This side of his theory is what a contextualist should exploit . The integration he should stress is an integra- tion of conflicts . The techniques for the esthetic use of ...
Pagina 545
... Value , " BJA 6 ( 1966 ) . Child , Arthur , " The Social Historical Rela- tivity of Esthetic Value , " Phil . R. 52 ( 1944 ) . Dessoir , Max , Aesthetics and the Theory of Art , Detroit , Mich .: Wayne State Uni- versity Press , 1970 ...
... Value , " BJA 6 ( 1966 ) . Child , Arthur , " The Social Historical Rela- tivity of Esthetic Value , " Phil . R. 52 ( 1944 ) . Dessoir , Max , Aesthetics and the Theory of Art , Detroit , Mich .: Wayne State Uni- versity Press , 1970 ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision