A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 169
... example . What we want is to draw out habits of esthetic apprehen- sion . According to the metaphysical doctrine which I have been develop- ing , to do so is to increase the depth of individuality . The analysis of reality indicates the ...
... example . What we want is to draw out habits of esthetic apprehen- sion . According to the metaphysical doctrine which I have been develop- ing , to do so is to increase the depth of individuality . The analysis of reality indicates the ...
Pagina 398
... example of this nonaesthetic hearing that often passes for listening . In Edward Bullough's famous example , the man who goes to see a performance of Othello and instead of concentrating on the play thinks only of the similarity of ...
... example of this nonaesthetic hearing that often passes for listening . In Edward Bullough's famous example , the man who goes to see a performance of Othello and instead of concentrating on the play thinks only of the similarity of ...
Pagina 515
... example , " Is Gide's The School for Wives a novel or a diary ? " ) , what is at stake is no factual analysis concern- ing necessary and sufficient properties but a decision as to whether the work under examination is similar in certain ...
... example , " Is Gide's The School for Wives a novel or a diary ? " ) , what is at stake is no factual analysis concern- ing necessary and sufficient properties but a decision as to whether the work under examination is similar in certain ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision