A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 153
An Anthology Melvin Miller Rader. the world that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced ...
An Anthology Melvin Miller Rader. the world that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced ...
Pagina 156
... experience , and one with esthetic quality . If we turn from this imaginary case to our own experience we shall find much of it is nearer to what happens to the actual stone than it is to any- thing that fulfills the conditions fancy ...
... experience , and one with esthetic quality . If we turn from this imaginary case to our own experience we shall find much of it is nearer to what happens to the actual stone than it is to any- thing that fulfills the conditions fancy ...
Pagina 159
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision