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Pagina 153
the world that are implicated in this interaction qualify experience with emotions
and ideas so that conscious intent emerges. Oftentimes, however, the experience
had is inchoate. Things are experienced but not in such a way that they are ...
the world that are implicated in this interaction qualify experience with emotions
and ideas so that conscious intent emerges. Oftentimes, however, the experience
had is inchoate. Things are experienced but not in such a way that they are ...
Pagina 156
A generalized illustration may be had if we imagine a stone, which is rolling
downhill, to have an experience. The activity is surely sufficiently "practical." The
stone starts from somewhere, and moves, as consistently as conditions permit,
toward ...
A generalized illustration may be had if we imagine a stone, which is rolling
downhill, to have an experience. The activity is surely sufficiently "practical." The
stone starts from somewhere, and moves, as consistently as conditions permit,
toward ...
Pagina 159
There are, therefore, common patterns in various experigncgs^ no matter how
unlike they are to one another in the details of their subject matter. There are
conditions to be met without which an experience cannot come to be. The outline
of the ...
There are, therefore, common patterns in various experigncgs^ no matter how
unlike they are to one another in the details of their subject matter. There are
conditions to be met without which an experience cannot come to be. The outline
of the ...
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Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract action activity appear appreciation artist associations beauty become called character characteristic color common complete concept consciousness created criticism defined definition desire direct Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling function give Greek hand human ideas imagination important individual interest intuition kind knowledge language less lines live look material matter means merely mind moral movement nature never object observe organization original painting particular perceived perception person philosophical physical picture play pleasure poem poet poetry possible practical present principle problem produce pure question reality reason reference relation seems sense shape significance similar simply social sound speak structure style symbol theory things thought tion true truth understand unity whole wish
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