A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 137
... external reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling - tone of the words themselves ...
... external reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling - tone of the words themselves ...
Pagina 146
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
Pagina 147
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision