A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 6
... facts and values . Let us therefore carefully examine this distinction . " X is square " is judged a fact if a number of competent observers , upon carefully measuring X , find it to be square . Science is the coordination of facts ...
... facts and values . Let us therefore carefully examine this distinction . " X is square " is judged a fact if a number of competent observers , upon carefully measuring X , find it to be square . Science is the coordination of facts ...
Pagina 76
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many devote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical fact ...
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many devote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical fact ...
Pagina 525
... fact that it was intended to be hung in a place where it can be observed and studied ; nor upon the fact that it is a representa- tional painting which depicts a mythological scene . If we next turn to the question of how the goodness ...
... fact that it was intended to be hung in a place where it can be observed and studied ; nor upon the fact that it is a representa- tional painting which depicts a mythological scene . If we next turn to the question of how the goodness ...
Sommario
THE MEANING OF ART | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce called character characteristic Clive Bell color complete concept concrete consciousness contemplation contextualist criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human Ian McHarg ideas imagination imitation impulse individual intuition intuitive knowledge kind language look Lucien Goldmann Ludwig Wittgenstein machine material means ment mind Morris Weitz nature object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry principle produce psychology pure R. G. Collingwood reality reason relation rhythm Rudolf Arnheim sensation sense sensuous shape significance social sound species-being structure style symbol taste theory things tion tragedy unity visual vivid whole words world vision