A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 76
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many devote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical fact ...
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many devote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical fact ...
Pagina 525
... fact that it was intended to be hung in a place where it can be observed and studied ; nor upon the fact that it is a representa- tional painting which depicts a mythological scene . If we next turn to the question of how the goodness ...
... fact that it was intended to be hung in a place where it can be observed and studied ; nor upon the fact that it is a representa- tional painting which depicts a mythological scene . If we next turn to the question of how the goodness ...
Pagina 527
... fact , had he carefully traced the relation- ships which he assumed to exist among some of the characteristics of the Poussin painting , he might have found that , contrary to his inclinations , he was well advanced toward putting ...
... fact , had he carefully traced the relation- ships which he assumed to exist among some of the characteristics of the Poussin painting , he might have found that , contrary to his inclinations , he was well advanced toward putting ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision