A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 62
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
Pagina 197
... feeling of ideas , but ideas themselves . " Well said " in phi- losophy primarily means conveying an abstract idea ... feeling . Whereas in the writing of philosophy and science the quality of style is primarily subordinate to the ...
... feeling of ideas , but ideas themselves . " Well said " in phi- losophy primarily means conveying an abstract idea ... feeling . Whereas in the writing of philosophy and science the quality of style is primarily subordinate to the ...
Pagina 345
... feeling tone ; only as they become more familiar , or clearer to cognition , the feeling fades and the quality which was first intimated through feeling is later apprehended without affective tone in a more penetrating and lucid ...
... feeling tone ; only as they become more familiar , or clearer to cognition , the feeling fades and the quality which was first intimated through feeling is later apprehended without affective tone in a more penetrating and lucid ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision