A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Risultati 1-3 di 53
Pagina 464
... forces , of which the economic , in the long run , is by far the most powerful . Marx distinguishes between " the forces of production , " such as labor power and technology , and " the relations of production , " such as the class ...
... forces , of which the economic , in the long run , is by far the most powerful . Marx distinguishes between " the forces of production , " such as labor power and technology , and " the relations of production , " such as the class ...
Pagina 462
... forces , of which the economic , in the long run , is by far the most powerful . Marx distinguishes between " the forces of production , " such as labor power and technology , and " the relations of production , " such as the class ...
... forces , of which the economic , in the long run , is by far the most powerful . Marx distinguishes between " the forces of production , " such as labor power and technology , and " the relations of production , " such as the class ...
Pagina 462
... forces of production in society come in conflict with the existing relations of production , or - what is but a legal expression for the same thing - with the property relations within which they have been at work before . From forms of ...
... forces of production in society come in conflict with the existing relations of production , or - what is but a legal expression for the same thing - with the property relations within which they have been at work before . From forms of ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision