A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 6
... function of art is clear and vivid realization of quality . Or if we wish to emphasize the subjective pole , we can say that the function of art is the expression and cultivation of feeling . Now these functions are not really separate ...
... function of art is clear and vivid realization of quality . Or if we wish to emphasize the subjective pole , we can say that the function of art is the expression and cultivation of feeling . Now these functions are not really separate ...
Pagina 86
... function of spatiality and temporality . But for these two cate- gories must be repeated what was said of intellectual distinctions , when found mingled with intuitions . We have intuitions without space and without time : the color of ...
... function of spatiality and temporality . But for these two cate- gories must be repeated what was said of intellectual distinctions , when found mingled with intuitions . We have intuitions without space and without time : the color of ...
Pagina 293
... function , therefore , as representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally ...
... function , therefore , as representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision