A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 141
... genotype in adapted man . Hence the importance of physiological introversion in poetry . This genotype is undifferentiated because it is relatively unchanging . Hence the timelessness of poetry as compared to the importance of time ...
... genotype in adapted man . Hence the importance of physiological introversion in poetry . This genotype is undifferentiated because it is relatively unchanging . Hence the timelessness of poetry as compared to the importance of time ...
Pagina 142
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
... genotype whose secret desires link in one endless series all human culture . Now this genotype can be considered from two aspects : the timeless and the timeful , the changeless and changeful , the general and the particular . ( a ) ...
Pagina 149
... genotype into the world from which it was banished . . . . § 5 If we are asked the purpose of art , we can make an answer - the precise ... genotype we see is the genotype stamped with all the possibilities and Christopher Caudwell 149.
... genotype into the world from which it was banished . . . . § 5 If we are asked the purpose of art , we can make an answer - the precise ... genotype we see is the genotype stamped with all the possibilities and Christopher Caudwell 149.
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision