A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 52
... give evidence of its existence as soon as man became self- conscious , and is to be found clearly defined in his very earliest works . By its psychologic origin it is bound up with the constituent principles of humanity . The salient ...
... give evidence of its existence as soon as man became self- conscious , and is to be found clearly defined in his very earliest works . By its psychologic origin it is bound up with the constituent principles of humanity . The salient ...
Pagina 185
... gives pain , although some forms give pain by causing a shock of surprise even when they are really beautiful : as if a mother found a fine bull pup in her child's cradle , when her pain would not be esthetic in its nature . Further ...
... gives pain , although some forms give pain by causing a shock of surprise even when they are really beautiful : as if a mother found a fine bull pup in her child's cradle , when her pain would not be esthetic in its nature . Further ...
Pagina 507
... give the concept " number " rigid limits in this way , that is , use the word " number " for a rigidly limited concept , but I can also use it so that the extension of the concept is not closed by a frontier . And this is how we do use ...
... give the concept " number " rigid limits in this way , that is , use the word " number " for a rigidly limited concept , but I can also use it so that the extension of the concept is not closed by a frontier . And this is how we do use ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision