A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 217
... given pitch order . Nor can anything enter this order except sounds . By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single ...
... given pitch order . Nor can anything enter this order except sounds . By virtue of being what we call a single sound , a note has to be at a particular pitch ; and to be at a particular pitch is to be at a point fixed in the single ...
Pagina 321
... given perceptual pattern makes for a corresponding degree of connection or fusion . Units which resemble each other in shape , size , direction , colour , brightness , or location will be seen together . [ See Fig . 1. ] The principle ...
... given perceptual pattern makes for a corresponding degree of connection or fusion . Units which resemble each other in shape , size , direction , colour , brightness , or location will be seen together . [ See Fig . 1. ] The principle ...
Pagina 514
... given , about which there can be no question as to their being correctly described as " art " or " game , " but no exhaustive set of cases can be given . I can list some cases and some conditions under which I can apply correctly the ...
... given , about which there can be no question as to their being correctly described as " art " or " game , " but no exhaustive set of cases can be given . I can list some cases and some conditions under which I can apply correctly the ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision