A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 36
... hands , but there must be others - everything , in fact , which we bundle together into the word " style , " the style ... hand , he sees it in terms of masses . The question of why style should impose similar limitations is less easily ...
... hands , but there must be others - everything , in fact , which we bundle together into the word " style , " the style ... hand , he sees it in terms of masses . The question of why style should impose similar limitations is less easily ...
Pagina 163
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 287
... hand is close to the commonest , popular meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its ...
... hand is close to the commonest , popular meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision