A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 422
... historical period is necessarily limited . However many and varied the actual historical situations in which man may find himself can be , the different world visions that we encounter nevertheless express the reaction of a group of ...
... historical period is necessarily limited . However many and varied the actual historical situations in which man may find himself can be , the different world visions that we encounter nevertheless express the reaction of a group of ...
Pagina 536
... Historical Introduction , London : G. Allen , 1967 . Osborne , Harold , Aesthetics and Art Theory : An Historical Introduction , New York : Dutton , 1970 . Saisselin , Remy G. , " Critical Reflections on the Origins of Modern Aesthetics ...
... Historical Introduction , London : G. Allen , 1967 . Osborne , Harold , Aesthetics and Art Theory : An Historical Introduction , New York : Dutton , 1970 . Saisselin , Remy G. , " Critical Reflections on the Origins of Modern Aesthetics ...
Pagina 548
... Historical or Stylistic Periods ? " JAAG 13 ( 1955 ) . Friedrich , Carl J. , " Style as the Principle of Historical Interpretation , " JAAC 14 ( 1955 ) . Gombrich , E. H. , Norm and Form : Studies in the Art of the Renaissance , New ...
... Historical or Stylistic Periods ? " JAAG 13 ( 1955 ) . Friedrich , Carl J. , " Style as the Principle of Historical Interpretation , " JAAC 14 ( 1955 ) . Gombrich , E. H. , Norm and Form : Studies in the Art of the Renaissance , New ...
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THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision