A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 128
... human beings create phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to ...
... human beings create phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to ...
Pagina 464
... human nature , the formal and the sensuous drives balanced and harmonized through the reconciling power of ... human beings , human life is reduced to a material level , and men are estranged from one another and from their species ...
... human nature , the formal and the sensuous drives balanced and harmonized through the reconciling power of ... human beings , human life is reduced to a material level , and men are estranged from one another and from their species ...
Pagina 476
... human essence and of human life , of objective man and of human creations , by and for man , should not be taken only in the sense of immediate , exclusive enjoyment , or only in the sense of possession or having . Man appropriates his ...
... human essence and of human life , of objective man and of human creations , by and for man , should not be taken only in the sense of immediate , exclusive enjoyment , or only in the sense of possession or having . Man appropriates his ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision