A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 120
... ideal spectator . ” This view , when compared with the historical tradition that originally tragedy was only chorus , reveals itself for what it is a crude , unscientific , yet brilliant claim that owes its brilliancy only to its ...
... ideal spectator . ” This view , when compared with the historical tradition that originally tragedy was only chorus , reveals itself for what it is a crude , unscientific , yet brilliant claim that owes its brilliancy only to its ...
Pagina 389
... ideal beauty . Critical opinion has varied between two interpretations of the ideal , one unsatisfactory because it is too prosaic , the other because it is too mystical . The former begins with the belief that although no individual ...
... ideal beauty . Critical opinion has varied between two interpretations of the ideal , one unsatisfactory because it is too prosaic , the other because it is too mystical . The former begins with the belief that although no individual ...
Pagina 462
... ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without which he would not even find himself on the way to the ideal . Wherever , then , we find traces of a disinterested ...
... ideal realm of art . For this latter to happen a complete revolution in his whole way of feeling is required , without which he would not even find himself on the way to the ideal . Wherever , then , we find traces of a disinterested ...
Sommario
THE MEANING OF ART | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract activity appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce called character characteristic Clive Bell color complete concept concrete consciousness contemplation contextualist criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human Ian McHarg ideas imagination imitation impulse individual intuition intuitive knowledge kind language look Lucien Goldmann Ludwig Wittgenstein machine material means ment mind Morris Weitz nature object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry principle produce psychology pure R. G. Collingwood reality reason relation rhythm Rudolf Arnheim sensation sense sensuous shape significance social sound species-being structure style symbol taste theory things tion tragedy unity visual vivid whole words world vision