A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 145
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and concentrated on in the same ...
... ideas . In any association of ideas two images are tied to each other by something different , like sticks by a cord . In poetry they are tied by affects . If a word is abstracted from its surroundings and concentrated on in the same ...
Pagina 197
... ideas , but ideas themselves . " Well said " in phi- losophy primarily means conveying an abstract idea clearly . " Well said " in art means more than this . Consider now a poem " about " ideas . Suppose a poet is writing - like Shelley ...
... ideas , but ideas themselves . " Well said " in phi- losophy primarily means conveying an abstract idea clearly . " Well said " in art means more than this . Consider now a poem " about " ideas . Suppose a poet is writing - like Shelley ...
Pagina 335
... ideas to the images , nor is it the job of music to add sentiments . The ensemble tells us something very precise ... ideas . And yet the function of the pure novel or pure poetry is not simply to tell us these facts . If it were ...
... ideas to the images , nor is it the job of music to add sentiments . The ensemble tells us something very precise ... ideas . And yet the function of the pure novel or pure poetry is not simply to tell us these facts . If it were ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision