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Pagina 145
Dream analysis gives us the answer, by affective association of ideas. In any
association of ideas two images are tied to each other by something different, like
sticks by a cord. In poetry they are tied by affects. If a word is abstracted from its ...
Dream analysis gives us the answer, by affective association of ideas. In any
association of ideas two images are tied to each other by something different, like
sticks by a cord. In poetry they are tied by affects. If a word is abstracted from its ...
Pagina 197
his style the sense of the joy of ideas, the joy of clarity, which may show itself in
choice and placing of words, rhythms, emphasis, balance, even in punctuation. A
philosopher may be a prose artist in his writing of philosophy. English and French
...
his style the sense of the joy of ideas, the joy of clarity, which may show itself in
choice and placing of words, rhythms, emphasis, balance, even in punctuation. A
philosopher may be a prose artist in his writing of philosophy. English and French
...
Pagina 335
It is not the job of words in a movie to add ideas to the images, nor is it the job of
music to add sentiments. The ensemble tells us something very precise which is
neither a thought nor a reminder of sentiments we have felt in our own lives. What
...
It is not the job of words in a movie to add ideas to the images, nor is it the job of
music to add sentiments. The ensemble tells us something very precise which is
neither a thought nor a reminder of sentiments we have felt in our own lives. What
...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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