Dall'interno del libro
Risultati 1-3 di 90
Pagina 80
The doctrine of art as intuition, as fancy, as form, now gives rise to an ulterior (I
have not said an "ultimate") problem, which is no longer one of opposition and
distinction toward physics, hedonistic, ethic and logic, but the field of images itself
, ...
The doctrine of art as intuition, as fancy, as form, now gives rise to an ulterior (I
have not said an "ultimate") problem, which is no longer one of opposition and
distinction toward physics, hedonistic, ethic and logic, but the field of images itself
, ...
Pagina 81
The intuition is the product of an image, and not of an incoherent mass of images
obtained by recalling former images and allowing them to succeed one another
capriciously, by combining one image with another in a like capricious manner, ...
The intuition is the product of an image, and not of an incoherent mass of images
obtained by recalling former images and allowing them to succeed one another
capriciously, by combining one image with another in a like capricious manner, ...
Pagina 115
The image that now shows him his identity with the heart of the world is a dream
scene that embodies the primordial contradiction and ... The plastic artist, like the
epic poet who is related to him, is absorbed in the pure contemplation of images.
The image that now shows him his identity with the heart of the world is a dream
scene that embodies the primordial contradiction and ... The plastic artist, like the
epic poet who is related to him, is absorbed in the pure contemplation of images.
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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