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Pagina 25
Imagination. JACQUES MARITAIN: Beauty and Imitation E. H. GOMBRICH: Truth
and the Stereotype One of the perennial themes of esthetic theory is the relation
of art to nature. In the history of Western thought, the two most influential ...
Imagination. JACQUES MARITAIN: Beauty and Imitation E. H. GOMBRICH: Truth
and the Stereotype One of the perennial themes of esthetic theory is the relation
of art to nature. In the history of Western thought, the two most influential ...
Pagina 239
two may be called different forms of the same thing: one of them having (in the
usual sense) reality, but seldom fully satisfying imagination; while the other offers
something which satisfies imagination but has not full "reality." They are parallel ...
two may be called different forms of the same thing: one of them having (in the
usual sense) reality, but seldom fully satisfying imagination; while the other offers
something which satisfies imagination but has not full "reality." They are parallel ...
Pagina 538
Blocker, H. Gene, "Another Look at Aesthetic Imagination," JAAC 30 (1972).
Carpenter, Rhys, and others, The Bases o\ Artistic Creation, New Brunswick, N.J.:
Rutgers University Press, 1942. Casey, Edward S., "Imagination: Imaging and the
...
Blocker, H. Gene, "Another Look at Aesthetic Imagination," JAAC 30 (1972).
Carpenter, Rhys, and others, The Bases o\ Artistic Creation, New Brunswick, N.J.:
Rutgers University Press, 1942. Casey, Edward S., "Imagination: Imaging and the
...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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