A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 74
... imaginative grasp of the unique , art is not concerned with the true and false , real and unreal , useful or harmful , good or bad . Nothing counts in art but the perfection of the imaginative vision in itself , and by its own standard ...
... imaginative grasp of the unique , art is not concerned with the true and false , real and unreal , useful or harmful , good or bad . Nothing counts in art but the perfection of the imaginative vision in itself , and by its own standard ...
Pagina 127
... imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this - writers themselves ...
... imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this - writers themselves ...
Pagina 463
... imaginative play , mediates between and harmonizes them . Schiller maintained that the source of both play and art is overflowing energy . Even when a lion , for example , is not hungry or mad , it playfully expends its surplus energy ...
... imaginative play , mediates between and harmonizes them . Schiller maintained that the source of both play and art is overflowing energy . Even when a lion , for example , is not hungry or mad , it playfully expends its surplus energy ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision