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Pagina 25
JACQUES MARITAIN: Beauty and Imitation E. H. GOMBRICH: Truth and the
Stereotype One of the perennial themes of esthetic theory is the relation of art to
nature. In the history of Western thought, the two most influential treatments of this
...
JACQUES MARITAIN: Beauty and Imitation E. H. GOMBRICH: Truth and the
Stereotype One of the perennial themes of esthetic theory is the relation of art to
nature. In the history of Western thought, the two most influential treatments of this
...
Pagina 31
Plato, with his theory of various degrees of imitation and poetry as an illusion,
misconceives, like all extravagant intellectualists, the peculiar nature of art; hence
his contempt for poetry. It is clear that if art were a means of knowledge, it would ...
Plato, with his theory of various degrees of imitation and poetry as an illusion,
misconceives, like all extravagant intellectualists, the peculiar nature of art; hence
his contempt for poetry. It is clear that if art were a means of knowledge, it would ...
Pagina 32
Imitation as reproduction or representation of the real — in other words, imitation
materially considered — is merely a means, not an end; it relates, along with
manual dexterity, to the artistic activity, but no more constitutes it. And the things ...
Imitation as reproduction or representation of the real — in other words, imitation
materially considered — is merely a means, not an end; it relates, along with
manual dexterity, to the artistic activity, but no more constitutes it. And the things ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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