A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 3
... Imitation and Form have played in the history of esthetic theory . But if we look beyond the label to the substance of these theories , we find that they do not differ radically from the doctrine of expression . Neither Plato nor ...
... Imitation and Form have played in the history of esthetic theory . But if we look beyond the label to the substance of these theories , we find that they do not differ radically from the doctrine of expression . Neither Plato nor ...
Pagina 31
... imitation , the Fine Arts , as ordered to Beauty , are related to imitation , in a way difficult enough to define . " Imitation is natural to mankind from childhood . . . , man is the most imitative of animals ; through imitation he ...
... imitation , the Fine Arts , as ordered to Beauty , are related to imitation , in a way difficult enough to define . " Imitation is natural to mankind from childhood . . . , man is the most imitative of animals ; through imitation he ...
Pagina 32
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or represen- tation of the real - in other words , imitation materially considered - is merely a means , not an end ; it relates ...
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or represen- tation of the real - in other words , imitation materially considered - is merely a means , not an end ; it relates ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision