A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 102
... impulse toward a goal . " If the impulse succeeds , the result is a state of satisfaction . The question arises , Is it possible to separate volition from pleasure and unpleasure ? The answer of Freud is no . The unrest of desire ...
... impulse toward a goal . " If the impulse succeeds , the result is a state of satisfaction . The question arises , Is it possible to separate volition from pleasure and unpleasure ? The answer of Freud is no . The unrest of desire ...
Pagina 307
... impulse and is the process by which the impulse takes extended shape . When the impulse is complete , however , other necessities appear , and the need for contrast arises . What form the contrast shall take- whether the same materials ...
... impulse and is the process by which the impulse takes extended shape . When the impulse is complete , however , other necessities appear , and the need for contrast arises . What form the contrast shall take- whether the same materials ...
Pagina 362
... impulse from which the work of art springs - has been the same at all times , subject only to certain variations which we call stylistic peculiarities , and that , so far as the plastic arts are concerned , the impulse has always been ...
... impulse from which the work of art springs - has been the same at all times , subject only to certain variations which we call stylistic peculiarities , and that , so far as the plastic arts are concerned , the impulse has always been ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision