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Pagina 40
I believe that in this respect these humble documents do indeed tell us a lot about
the procedure of any artist who wants to make a truthful record of an individual
form. He begins not with his visual impression but with his idea or concept: the ...
I believe that in this respect these humble documents do indeed tell us a lot about
the procedure of any artist who wants to make a truthful record of an individual
form. He begins not with his visual impression but with his idea or concept: the ...
Pagina 417
For since the individual facts which we encounter are inexhaustible in their
variety and multiplicity, any scientific study of them must enable us to separate
the accidental from the essential elements in the immediate reality which
presents itself ...
For since the individual facts which we encounter are inexhaustible in their
variety and multiplicity, any scientific study of them must enable us to separate
the accidental from the essential elements in the immediate reality which
presents itself ...
Pagina 420
I say "more or less," because even though it is only rarely that an individual is
completely and wholly aware of the ... individuals who either actually achieve or
who come very near to achieving a completely integrated and coherent view of
what ...
I say "more or less," because even though it is only rarely that an individual is
completely and wholly aware of the ... individuals who either actually achieve or
who come very near to achieving a completely integrated and coherent view of
what ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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