A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 417
... individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text and by a study of the author's life are basically the ...
... individual , but from the individual to the social group of which he forms part . For when we look at them more closely the difficulties raised both by a consideration of the text and by a study of the author's life are basically the ...
Pagina 419
... individual as absolute and sole reality , and to study other men only in so far as they play the part of objects in the individual's ideas and activities . This atomistic view of the individual was shared by the Cartesian or Fichtean ...
... individual as absolute and sole reality , and to study other men only in so far as they play the part of objects in the individual's ideas and activities . This atomistic view of the individual was shared by the Cartesian or Fichtean ...
Pagina 420
... individual ceases to be an atom which exists in isolation and opposition to other men and to the physical world , and the " collective consciousness " ceases to be a static entity which stands above and outside particular individuals ...
... individual ceases to be an atom which exists in isolation and opposition to other men and to the physical world , and the " collective consciousness " ceases to be a static entity which stands above and outside particular individuals ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision