A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 148
... interest . Poetry soaks external reality — nature and society - with emotional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the orga- nism to deal with it more ...
... interest . Poetry soaks external reality — nature and society - with emotional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the orga- nism to deal with it more ...
Pagina 166
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstrac- tion , that is of extraction of what is significant , takes place . In both there is comprehension in ...
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstrac- tion , that is of extraction of what is significant , takes place . In both there is comprehension in ...
Pagina 528
... interest , and can satisfy the same sorts of interest , and our criticism of it employs the same sorts of standards , as is the case with respect to the other arts . Bearing this in mind , we are in a position to see that still another ...
... interest , and can satisfy the same sorts of interest , and our criticism of it employs the same sorts of standards , as is the case with respect to the other arts . Bearing this in mind , we are in a position to see that still another ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision