A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 221
... intrinsic to color and sound . We have used mathematical and geometrical abstractions so much that the elements ... intrinsic to sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that ...
... intrinsic to color and sound . We have used mathematical and geometrical abstractions so much that the elements ... intrinsic to sound and intrinsic to color . We have spoken of spatial and temporal orders as intrinsic to elements that ...
Pagina 222
... intrinsic to certain qualities , the latter to space - time configurations . And from their intrinsic orders elements cannot be re- moved . A note carries with it its position in the pitch series into any com- position , and maintains ...
... intrinsic to certain qualities , the latter to space - time configurations . And from their intrinsic orders elements cannot be re- moved . A note carries with it its position in the pitch series into any com- position , and maintains ...
Pagina 238
... intrinsic value . Next , its poetic value is this intrinsic worth alone . Poetry may have also an ulterior value as a means to culture or religion ; because it conveys instruc- tions , or softens the passions , or furthers a good cause ...
... intrinsic value . Next , its poetic value is this intrinsic worth alone . Poetry may have also an ulterior value as a means to culture or religion ; because it conveys instruc- tions , or softens the passions , or furthers a good cause ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision