A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 84
... intuition ; the prac- tical man professes to live rather by intuition than by reason . But this ample acknowledgment granted to intuitive knowledge in ordinary life , does not correspond to an equal and adequate acknowledg- ment in the ...
... intuition ; the prac- tical man professes to live rather by intuition than by reason . But this ample acknowledgment granted to intuitive knowledge in ordinary life , does not correspond to an equal and adequate acknowledg- ment in the ...
Pagina 85
... intuitions . But notwithstanding all these concepts the total effect of the work of art is an intuition ; and notwithstanding all those intuitions , the total effect of the philosophical dissertation is a concept . The Promessi Sposi ...
... intuitions . But notwithstanding all these concepts the total effect of the work of art is an intuition ; and notwithstanding all those intuitions , the total effect of the philosophical dissertation is a concept . The Promessi Sposi ...
Pagina 88
... intuition is once more confused with simple sensation . And yet there is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive ...
... intuition is once more confused with simple sensation . And yet there is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision