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Pagina 84
INTUITION AND EXPRESSION Knowledge has two forms: it is either intuitive
knowledge or logical knowledge; ... that we cannot give definitions of certain
truths; that they are not demonstrable by syllogisms; that they must be learnt
intuitively.
INTUITION AND EXPRESSION Knowledge has two forms: it is either intuitive
knowledge or logical knowledge; ... that we cannot give definitions of certain
truths; that they are not demonstrable by syllogisms; that they must be learnt
intuitively.
Pagina 85
But notwithstanding all these concepts the total effect of the work of art is an
intuition; and notwithstanding all those intuitions, ... observations and distinctions,
but does not for that reason lose as a whole its character of simple story or
intuition.
But notwithstanding all these concepts the total effect of the work of art is an
intuition; and notwithstanding all those intuitions, ... observations and distinctions,
but does not for that reason lose as a whole its character of simple story or
intuition.
Pagina 88
An Anthology Melvin Miller Rader. "representation" is a very equivocal word. If by
representation be understood something cut off and standing out from the
psychic basis of the sensations, then representation is intuition. If, on the other
hand, ...
An Anthology Melvin Miller Rader. "representation" is a very equivocal word. If by
representation be understood something cut off and standing out from the
psychic basis of the sensations, then representation is intuition. If, on the other
hand, ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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