A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
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Pagina 28
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and over- flowing from such an act because of the object ...
... intuitive knowledge , and a joy . The beautiful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and over- flowing from such an act because of the object ...
Pagina 84
An Anthology Melvin Miller Rader. II . INTUITION AND EXPRESSION Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; ...
An Anthology Melvin Miller Rader. II . INTUITION AND EXPRESSION Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; ...
Pagina 86
... knowledge of things in their concreteness and individuality ? Having thus freed intuitive knowledge from any suggestion of intellectu- alism and from every later and external addition , we must now explain it and determine its limits ...
... knowledge of things in their concreteness and individuality ? Having thus freed intuitive knowledge from any suggestion of intellectu- alism and from every later and external addition , we must now explain it and determine its limits ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision