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Pagina 28
I. ART AND BEAUTY* 1. St. Thomas, who was as simple as he was wise, denned
the beautiful as what gives pleasure on sight, id quod visitm placet. The four
words say all that is necessary: a vision, that is to say an intuitive knowledge, and
a ...
I. ART AND BEAUTY* 1. St. Thomas, who was as simple as he was wise, denned
the beautiful as what gives pleasure on sight, id quod visitm placet. The four
words say all that is necessary: a vision, that is to say an intuitive knowledge, and
a ...
Pagina 84
INTUITION AND EXPRESSION Knowledge has two forms: it is either intuitive
knowledge or logical knowledge; knowledge obtained through the imagination or
knowledge obtained through the intellect; knowledge of the individual or ...
INTUITION AND EXPRESSION Knowledge has two forms: it is either intuitive
knowledge or logical knowledge; knowledge obtained through the imagination or
knowledge obtained through the intellect; knowledge of the individual or ...
Pagina 86
Intuitive activity would then consist in this double and concurrent function of
spatiality and temporality. But for these two categories must ... Having thus freed
intuitive knowledge from any suggestion of intellectu- alism and from every later
and ...
Intuitive activity would then consist in this double and concurrent function of
spatiality and temporality. But for these two categories must ... Having thus freed
intuitive knowledge from any suggestion of intellectu- alism and from every later
and ...
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Sommario
THE MEANING OF ART | 3 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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Parole e frasi comuni
abstract activity Apollinian appear appreciation Aristotle artist attitude avant-garde beauty become Benedetto Croce Bernard Bosanquet called character characteristic Clive Bell color complete concept concrete consciousness contemplation criticism defined definition Dionysian Distance distinction distinguished dream effect elements embodiment emotion empathy esthetic estheticians example existence experience expression external fact feeling formal function G. E. M. Anscombe Greek human ideas imagination imitation impulse individual intuition intuitive knowledge John Hospers kind language look Ludwig Wittgenstein machine material meaning ment mind Morris Weitz nature nude object organic painting pattern perceived perception person phantasy philosophical physical picture play pleasure poem poet poetic poetry present principle produced psychological pure R. G. Collingwood reality relation rhythm Rudolf Arnheim sensation sense shape significance social sound structure style symbol taste theory things tion tragedy unity vision visual whole words world vision
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