A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 251
... isolation from the space of the room , as by putting a frame around a picture we isolate it , too , from everything else in the world . It is true that , in order to understand a work of art in its historical relations , I must connect ...
... isolation from the space of the room , as by putting a frame around a picture we isolate it , too , from everything else in the world . It is true that , in order to understand a work of art in its historical relations , I must connect ...
Pagina 258
... isolation of the experience in which the wish is fulfilled . These conditions are perfectly realized only in the dream and in those voluntary constructions of the imagination which , embodying dreams , we call works of art . The ...
... isolation of the experience in which the wish is fulfilled . These conditions are perfectly realized only in the dream and in those voluntary constructions of the imagination which , embodying dreams , we call works of art . The ...
Pagina 420
... isolation and opposition to other men and to the physical world , and the " collective consciousness " ceases to be a static entity which stands above and outside particular individuals . The collective consciousness exists only in and ...
... isolation and opposition to other men and to the physical world , and the " collective consciousness " ceases to be a static entity which stands above and outside particular individuals . The collective consciousness exists only in and ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
Copyright | |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision