A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1973 - 568 pagine |
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Pagina 17
... isolationism are Croce ( Chapter 3 ) and his fencing off of art from other activities , Worringer ( Chapter 10 ) and his ... isolationist type of theory stresses the uniqueness and immediacy of " pure " esthetic experience . If we ...
... isolationism are Croce ( Chapter 3 ) and his fencing off of art from other activities , Worringer ( Chapter 10 ) and his ... isolationist type of theory stresses the uniqueness and immediacy of " pure " esthetic experience . If we ...
Pagina 225
... isolationist theory was expressed by Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discussed form and content in poetry , his conception of form can be ...
... isolationist theory was expressed by Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discussed form and content in poetry , his conception of form can be ...
Pagina 544
... Isolationist and Contextualist Es- thetics : Conflict and Resolution , " J. Phil . 44 ( 1947 ) . CHAPTER 6 : EMBODIMENT OF VALUES Santayana Ames , Van Meter , " Santayana at One Hun- dred , " JAAC 22 ( 1964 ) . Arnett , Willard E ...
... Isolationist and Contextualist Es- thetics : Conflict and Resolution , " J. Phil . 44 ( 1947 ) . CHAPTER 6 : EMBODIMENT OF VALUES Santayana Ames , Van Meter , " Santayana at One Hun- dred , " JAAC 22 ( 1964 ) . Arnett , Willard E ...
Sommario
THE MEANING OF | 1 |
THE CREATIVE PROCESS | 23 |
EXPRESSION OF EMOTION | 50 |
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abstract Abstract Expressionism activity appear appreciation Aristotle artist attitude avant-garde beauty become called character Clement Greenberg Clive Bell color complete concept concrete consciousness contemplation contextualist critic Cubism culture definition Dionysian Distance distinction distinguished dream elements empathy estheticians example existence experience expression external fact feeling formal function Greek human Ian McHarg ideas imagination imitation important impulse individual intuition John Hospers kind language look Lucien Goldmann material meaning ment mind Morris Weitz movement musical expression nature nude object organic painting pattern perceived perception person philosophy physical picture play pleasure poem poet poetic poetry present principle produced psychology pure reality reason relation rhythm Rudolf Arnheim sculpture sensation sense sensuous shape significant form social sound speak species-being structure style symbol taste theory things tion understand unity vision visual vivid whole WILHELM WORRINGER words world vision